Description
The Carl Martin Hydra Boost Guitar Pedal, with it’s small size and simple design offers a clean 15dB low noise boost. Imagine your solo with an extra few dB’s on top to get it out where it belong, or maybe boost your input on your amp to get more sustain and bite, or simply drive your distortion pedals with extreme input for extraordinary distortion. THAT’S THE HYDRA.
FEATURING: Low noise design, 9V battery adapter, Rugged housing, Vintage style knob, High bright blue LED. If it’s a simple one knob, super clean boost with enough gain to be able to hear the difference, than the Carl Martin Hydra Boost is the pedal for you. We strongly recommend to add this to you collection of music pedals, distortion pedals, delay pedals, tremolo pedals, reverb pedals, chorus pedals and overdrive pedals.
This is the most efficient clean boost we’ve ever tried and, with a cool boutique livery and backed up by Carl Martin’s consistent quality of construction, there’s no reason why you shouldn’t go and get one right now.
An excellent pedal that is perfect if you’re solos need an extra hike in volume.
The problem of ensuring that your carefully crafted solos are loud and proud within the parameters of a full band hasn’t really been properly solved. Of course, if you rely on multi-effects units or multi-channel amps for your tone, the chances are that you’ve already turned the page.
However, if, like an increasing number of players these days, you have two options (clean and dirty, for example) or even just a single channel on your amp, this unassuming little box could be the answer that allows your solos to cut through.
The trick with a clean boost is for it to take the original tone and make it louder without actually adding anything else, and that’s exactly the premise behind the recently re-packaged Hydra Boost.
Boasting one chicken-head control, the pedal can add up to 15dB of ultra clean gain that’s designed for a hugely efficient hike in signal. The proof of this particular pudding, as ever, is in the eating…
Sounds
In short it does exactly what it proposes: it makes whatever tone you’re using incrementally louder, even ultra-dirty modern high gain tones.
For jazz and country styles it’ll prove a godsend, but any player of any style can use the Hydra with ease. It’s slightly warmer in tone and ever-so-slightly cheaper than the equally lauded Voodoo Lab Sparkle Drive (around £107) too.
With a cool boutique livery and backed up by Carl Martin’s consistent quality of construction, there’s no reason why you shouldn’t go and get one right now.
Use it in various setups, I actually have two of them.
I use them for lifts and clean fills.
Have a slight expanding topend, very soft and easy on the ears, meaning that it clips with an inoffensive sound, lovely.
Clean operation, no misgivings they do their job and that is what matters to me.
