Carl Martin DC Drive Overdrive Guitar Pedal
What Vintage series would be complete without an ultra-versatile and simple to use drive pedal? Funny, that’s what Carl said just before he introduced the DC Drive. Just like Carl, this pedal has a few tricks up its sleeve. Besides the typical Level, Tone and Drive knobs which obviously control the volume of the signal, the tone (hmmm, which knob?) and the amount of overdrive, Carl has smartly added a clean boost after the drive section, and a Regular/Fat switch….not so typical.
Carl Martin Greg Howe Signature Lick Box Guitar Pedal
While chatting over a...um 'coffee' one day a while back, guitar ace Greg Howe asked Carl whether he could develop a pedal that would re-create his signature sound. A pedal that would combine Greg's unique High Gain and Crunch tones.
Carl Martin PANAMA – Brittish Hot Modded OD
"The new Carl Martin Panama Overdrive, cool anodized case and that
awesome Carl Martin DC/DC converter circuitry which allows the pedal to run with +-12V internally (this means better parts and better sound). Check it out yourself, Gain Level and Tone controls along with the new Damping control, head mounted input/outputs and 9V DC input which requires a regular 9V 100mA external power supply and the new small footprint. Bigger sound, bigger tone, all analog, all Carl Martin!"
Carl Martin PlexiRanger
When we look back to the glory days of rock guitar (mid 60’s to mid 70’s), some of the most
Carl Martin PlexiTone Lo-gain Overdrive Effect Pedal
The Carl Martin Plexitone Low Gain will make single coils sing, and give humbuckers extra punch . Stack it with your other pedals to give you extra boost and smooth out your overdrive, the Carl Martin Plexitone Lo Gain gives your sound that Plexi character.!
Carl Martin PlexiTone Original Two-Channel Guitar Effect Pedal
The Carl Martin PlexiTone, is as the name might indicate an unusual high gain three step rocket of an overdrive.
Carl Martin PlexiTone Original Two-Channel Guitar Effect Pedal (B-Stock)
The Carl Martin PlexiTone, is as the name might indicate an unusual high gain three step rocket of an overdrive.
Carl Martin Single AC-Tone Overdrive Effect Pedal
Carl Martin Single AC-Tone Overdrive Effect Pedal is the next overdrive in the British voiced vein, as the PlexiTone it
Carl Martin Single PlexiTone Distortion Effect Pedal
The new `single channel` Carl Martin PlexiTone was designed in association with Pete Thorn, and is housed in a small pedal-board friendly housing with 3 knobs and 1 switch. Apart from Pete’s slight modifications that give this new pedal a tighter bottom-end and slightly softer high frequencies, it is exactly the same gain structure as the High Gain setting on the original Pro-Series PlexiTone…
Xvive Distortion Guitar Effects Pedal – DynaRock T2
Xvive DynaRock T2 is an open, dynamic and warm pedal which comes so close to the natural tone of tube amplifiers. Its ultra high gain and great tone are two phrases that aren’t ofen used to describe a single unit. Its distortion is different: it not only takes a lot more effort to get it screaming but still sounding harmonically rich, but also brings you great fat heavy distortion tone. With a balanced gain control, You can hear each strings perfectly play classics like the who, LED Zeppelin, AC/DC.
Xvive Distortion Guitar Effects Pedal – DynaRock T2 (B-Stock)
Xvive DynaRock T2 is an open, dynamic and warm pedal which comes so close to the natural tone of tube amplifiers. Its ultra high gain and great tone are two phrases that aren’t ofen used to describe a single unit. Its distortion is different: it not only takes a lot more effort to get it screaming but still sounding harmonically rich, but also brings you great fat heavy distortion tone. With a balanced gain control, You can hear each strings perfectly play classics like the who, LED Zeppelin, AC/DC.
XVive O2 Sweet Leo Overdrive Guitar Effects Pedal
O2 Sweet LEO was designed by Thomas Blug, a famous German musician, guitarist, composer and musical electronic engineer. It has fat and powerful character and the Growl knob control the blend of effects, even with full drive you could hear original tone. It is also designed to be more rather than a rhythm guitar pedals. O2 does have a tight lowed and pulsing claringty even at high gain settings.The level pulling the volume on the tone, you can roll back give you more clean boost pedal .The tone rage is broad and also preserve the lowed that ensure your rhythm plan doesn’t drop out and get lost in mix.
